Poetry

If heaven is real, I can’t wait to see you. My Papa Nehrbass.

Until We Meet Again is a poetry collection created to honor Jerry Don Campbell, an Ottawa University student who lost his life in 1969. Through the love of his mother, family, and classmates, a memorial scholarship in his name has allowed OU students to travel and study abroad; one of these many students has been me. In May of 2024, I traveled to the Orkney Islands of Scotland, where I planned to honor Jerry in my travels. “Welcome Home” resides in Part One of my poetic ruminations.

If heaven is real, this poem explores what I believe it will look like for me and transitions into what I imagine is the heaven that is specially made for Jerry.

Until We Meet Again
"Welcome Home"


After a long breath,
my eyelids flutter open
to an unknown place.
A place with colors
that I have never seen.
A place where the giggles
of children
flood my ears.
A place where bodies lay
across a pillow of clouds.
A place that has a white cottage house
meticulously placed in a field of green.
A wrap-around porch
where love seems to be found.
A wooden rocking chair
that holds a being
who makes my heart skip a beat
at the mere sight of them.
I can’t tell if they are a man or woman —
I don’t think it matters.
It doesn’t matter
because they look at me
as if they have met me before.
As if they know every secret I hold.
As if they have love to give me —
a love I have never felt.
They reach out their
calloused yet comforting hands.
I lace my fingers with theirs.
Faces
of people I don’t recognize,
but my heart seems to know,
and faces of those that have gone before me
gather around this being.
Butterflies begin to swarm me
and I can smell her scent
as she hugs me.
Bullfrogs begin jumping
around my planted feet,
and I can hear the Michigan game
from inside the house;
Jeremiah.
A small child —
one I can’t put a name to
but one that has my eyes —
latches their small fingers
tightly around my thigh.
A sibling I never met.
I hear the sound of a tractor
roaring closer and closer.
My eyes meet the ornery grin
of the man
that I didn’t say
“I love you”
to enough.
He walks towards me.
I hear words
come from a voice
that once could not speak.
Words,
as clear as the
piercing blue sky
above me,
that say,
“I am free.”
These faces look at me
with love,
comfort,
and excitement
because I am home.
These faces look at me
and they say,
“Welcome Home.”

If there is a heaven,
this is what I imagine it to be like.
A place made just for me.
Fields of allium,
lavender,
honesty,
and the Scottish primrose
engulf me.
Because if
heaven is real,
it is a place
with fields full of
my favorite
color.
Wooden cases
of pages full of knowledge
and wonder
surround me.
Because if
heaven is real,
it is full of
my favorite
books.
If heaven is real,
I imagine it to be a place
designed just for me.
I imagine it to be a place
designed just for you.
I imagine it to be a place
designed just for Jerry.

After a long breath,
his eyelids flutter open
to an unknown place.
A place with colors
that he has never seen.
A place where the giggles
of children
flood his ears.
A place where bodies lay
across a pillow of clouds.
A place where working hands
look to be building
a white cottage house
that will one day be filled
with faces.
Faces of those
that Jerry knows,
that Jerry
loves.
There is a difference
between the place
that I awaken to
and the one
that Jerry awakens to.
I awaken to a sea
of people
who have been
waiting.
I awaken to a cottage
already built.
Jerry awakens to fewer
people.
Droplets instead of a sea.
Jerry awakens to a cottage
that has yet to be built.
A home that needs to be
created.
But there is a similarity
in these places.
A wooden rocking chair
that holds a being;
the same chair,
and the same being.
A being who makes
Jerry’s hands tremble
at the sight of them.
A being that seems to know
all of him,
hold his secrets,
and, love him in a way
that he’s never been loved.
What Jerry awakens to
is different
than yours and mine
because this same being
reached for Jerry
long before
they will reach
for us.
Sometimes
others are called long before
to come and build their
homes.
Jerry grasped
the calloused and comforting hands
of this being.
They pulled Jerry
and asked him
the biggest favor of all —
to build his home.
A home for himself,
and soon for others.
Jerry was still welcomed
by the faces of those
who came before him.
But Jerry became
the face
that would one day greet
those that he left.
Instead of being greeted by
his mother
or father,
Jerry became
the face
that would greet
them.
He would greet his brother,
nieces and nephews,
and classmates.
Jerry became the face
that would look at those
he loved,
and say,
“Welcome Home.”

If there is a heaven,
this is what I imagine it to be like.
A place made just for Jerry.
A field
with schoolhouses
that reeked of chalkboards.
Because if heaven is real,
it is a place
that is full of memories
of his mother.
Farm animals
and stocks of corn
that reach
the heights of the
piercing blue sky
surround him.
Because if heaven is real,
it is a place full of memories
of his father.
A dirty garage
filled with an
unimaginable number
of Chevy Impalas.
Because if heaven is real,
it is full of
Jerry’s favorite car.
If heaven is real, I imagine it to be a place
designed just for Jerry.
A place that reminds him
of his earthly home.
A place where when he took those
calloused hands,
he didn’t feel scared,
but he felt free.
He felt at home.

Welcome home, Jerry.

“St. Magnus Graveyard” comes from Part Two of my collection; a transition from only honoring Jerry, to also honoring my cousin Jeremiah, who we lost in 2004, and his older brother Jamie, who we lost a week before I left for my trip. The poems within Part Two are titled based on the place in which I left memorial rocks for the three of them. I wrote each of these poems after I returned home from the trip; these words are what fell from the complete emptiness of the being that I was at the time. This is what I felt while I stood within St. Magnus Graveyard. It may not make sense to most, but it makes sense to me.

Until We Meet Again
"St. Magnus Graveyard"


Shells
have always
scattered sandy beaches;
hiding
within the soft
grain,
only peeking
to see those that
brush among
their skin.
We have always
walked
among them
with bare feet,
looking with
wondrous eyes
at the sight
of their
beauty.
As if it’s
a natural action
of our own hands,
we have always
scooped
shells
with ridges,
curves,
and marks
into the safety
of our palms.
We take them
home
and decorate
our countertops
with their
magnificence.
We forget
about the being
that these shells
once housed
before
becoming their simplicity —
a shell.
Nothing has changed,
as we continue
to walk
sandy beaches,
and lift
these delicate bodies
into the safety
of ourselves;
in awe
of what they
once were
and what they
are now
for an eternity —
a shell.

Bodies
of people
have always
scattered graveyards;
hiding
within the softness
of the earth,
only peeking
to see those that
brush among
their granite skin.
We have always
walked
among them
with flowers
in our hands,
looking with
grieving eyes
at the sight
of their
absence.
As if it’s
a natural action
of our own hands,
we have always
scooped
bodies
with ridges,
curves,
and marks
into the safety
of our palms.
We take them
to a place
and decorate
their faces
with powder,
their bare bodies
with pearls
and patterned ties,
and then we decorate
graveyards
with symbols
of their
magnificence.
Memories fade,
and we forget
about the being
that these bodies
once housed
before
becoming their simplicity —
a body;
a shell.
Nothing has changed,
as we continue
to walk
within graveyards,
and lift
these delicate bodies
into the safety
of ourselves;
in awe
of what they
once were
and what they
are now
for an eternity —
a body;
a shell.

A shell
or a body,
a sandy beach
or a graveyard —
I’m not sure it matters
as this
is a testament
of
ashes to ashes,
and dust to dust.
Shells
washed of poking sand,
and their bodies used
as their own headstones —
the decoration
of their own life.
Bodies
washed of the hurt
of their lifetime
but clothed
in the love of it.
Placed within
a wooden shell,
and a rock of stone
etched
with their
identity
and placed
as the marker
of their eternal home.

We are shells
and we are bodies.
We are
ashes to ashes,
and dust to dust.
They were shells
and they were bodies
of love,
orneriness,
and dreams.
They were
ashes to ashes,
and now
dust to dust.

Across the seas,
it is the same;
ashes to ashes,
dust to dust,
shells and bodies
scooped into the safety
of palms,
cleansed,
and laid to rest;
headstones made
of their own shell
of a body,
or made of rocks
of stone,
etched with their
identity
and given their
eternal home.
It is the same
across
lifetimes
and across
worlds.

And so,
I laid them
to rest
across the seas.
I laid them
to rest
in the
St. Magnus Cathedral Graveyard.
I laid them
to rest
with a rock
painted
with their
identity,
and the dates
they left
off to search
for their eternal
home.
I laid them
to rest
below
a woman
named Margaret,
and a man
named John,
in hopes
that she will
care for them
like a mother,
and he will treat them
like his own sons.

Jerry,
Jeremiah,
and Jamison,
may you rest
across the seas
in this graveyard.
May you rest
across the world,
wherever your shells
and your bodies
may take you.
Ashes to ashes,
dust to dust.

"What is something that people don't usually view as beautiful or of great value, but you personally do?" This was a prompt given in my freshman Advanced Expository Writing class. The following piece reflects the beauty that I have found that not many others notice; the beauty of my father's profession. This poem has been published in the June 2022 Kansas Funeral Director's Association Magazine.


Beautiful Losses
by Cleo Feltner

I grew up in a home where Death was no surprise.
It was never morbid and it was nothing new.

I grew up in a home where Death was my father’s life.

I watched as my father left at any time of day.
It never mattered if it was 2 p.m. on a Sunday
or 3 a.m. on a Tuesday morning;
Death does not wait.

I watched as my father missed holidays
and family members wondered why he was absent;
Death is not considerate.

I watched as my father couldn’t even move me into my dorm room,
unable to be present even in the small things;
Death has no compassion.

I watched as my father worked hours into the night,
tired because he already worked too many hours that day,
and now too many tomorrow;
Death does not allow rest.

I watched as my father had to bury his own father, his own mother,
his own nephew, his own friends, children, and his entire community;
Death does not care who you are.

My father is a funeral director.
A mortician.
His life is Death.

And although what my father does can be absolutely god-awful,
and it can be morbid,
it can be so beautiful.

It is beautiful
because unlike Death,
my father waits.
He is patient.

Unlike Death,
my father is considerate.
He provides careful thought towards the one you love.

Unlike Death,
my father is compassionate.
He sympathizes with your grief.

Unlike Death,
my father allows rest.
He steals your worries as his own.

Unlike Death,
my father cares who you are.
He makes you feel seen
even when you are buried beneath your grief.

His life is Death,
but he makes it absolutely beautiful.